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First your eye is drawn to the "ON STRIKE" written in chalk on the steel pillar...then to the upside-down "DANGER" on plastic, near the window. The lockers standing open reinforce the work stoppage.
I can't explain what I like about this picture. Not because I don't, but I just can't explain it.
"KEEP OUT"--labeled on a door wide open--is a bit incongruous.
Hard work. Worn tools, looking like whoever walked out from work that day had no idea he'd never be back.
These hydraulic lines on presses to make asbestos brake pads look like a batch of spiders.
This exhaust intake captured the heat and smoke from an industrial process below.
The light is very interesting on this bench. There was a circular whole in the floor above, which let the light stream down in a beam.
Ancient cart against modern graffiti.
The angles and light patterns seemed congruent. And it wasn't until several months later that I noticed the OTHER door open, just above the main one.
The angles and light patterns seemed congruent. And it wasn't until several months later that I noticed the OTHER door open, just above the main one.
The angles and light patterns seemed congruent. And it wasn't until several months later that I noticed the OTHER door open, just above the main one.
The angles and light patterns seemed congruent. And it wasn't until several months later that I noticed the OTHER door open, just above the main one.
See photo in original gallery.
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