keyword pages:  1  
< 1 of 2 >
I've never done this before: published two editions of the same photo. But here we go. The other one is how I envision the shot would be seen by a black and white pin-hole camera on grainy film (made with the excellent Nik plug-in called Silver Efex 2.0).This other one is a three-part HDR that preserves the original red color of the concrete (I changed nothing in the saturation or luminance of the colors). Early viewers of these pictures urged me to put that version in. I hope you enjoy them both.
I've never done this before: published two editions of the same photo. But here we go. This is a three-part HDR that preserves the original red color of the concrete (I changed nothing in the saturation or luminance of the colors). Early viewers of these pictures urged me to put this version in. The other one in this collection is how I envision the shot would be seen by a black and white pin-hole camera on grainy film (made with the excellent Nik plug-in called Silver Efex 2.0). I hope you enjoy them both.
I've never done this before: published two editions of the same photo. But here we go. The other one is how I envision the shot would be seen by a black and white pin-hole camera on grainy film (made with the excellent Nik plug-in called Silver Efex 2.0).This other one is a three-part HDR that preserves the original red color of the concrete (I changed nothing in the saturation or luminance of the colors). Early viewers of these pictures urged me to put that version in. I hope you enjoy them both.
I've never done this before: published two editions of the same photo. But here we go. The other one is how I envision the shot would be seen by a black and white pin-hole camera on grainy film (made with the excellent Nik plug-in called Silver Efex 2.0).This other one is a three-part HDR that preserves the original red color of the concrete (I changed nothing in the saturation or luminance of the colors). Early viewers of these pictures urged me to put that version in. I hope you enjoy them both.
I've never done this before: published two editions of the same photo. But here we go. The other one is how I envision the shot would be seen by a black and white pin-hole camera on grainy film (made with the excellent Nik plug-in called Silver Efex 2.0).This other one is a three-part HDR that preserves the original red color of the concrete (I changed nothing in the saturation or luminance of the colors). Early viewers of these pictures urged me to put that version in. I hope you enjoy them both.
See photo in original gallery.
keyword pages:  1  
< 1 of 2 >